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Production Environments of Digital Innovations: a Scalar Perspective on Cultural Legitimacy in Zambian Coding Networks

机译:数字创新的生产环境:基于赞比亚编码网络中文化合法性的标量视角

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摘要

The rise of digital innovations is critical to many people and organizations in the Global South. By looking at programmers and their associated networks as digital production environment, this article aims to shed light on digital innovation processes to get a better understanding of those networks' inherent characteristics. With analyzing coding networks in Zambia's capital Lusaka, the study combines cultural legitimacy as a perspective from innovation scholars with scale. The case study is built on Geels' and Verhees' (2011) conceptualization of frames that stakeholders use to promote technology, and shows how members of coding networks produce and push legitimacy. Looking through the lenses of scale at perceived plausibility and salience of the production of frames, a variety of promoted frames around technology in connection to their actor's credibility, empirical fit, and macro-cultural resonance are identified. Further, the research identifies influence structures within coding networks effecting their members scope of actions.
机译:数字创新的兴起对全球南部的许多人和组织至关重要。通过查看程序员及其相关网络作为数字生产环境,本文旨在阐明数字创新流程,以更好地了解这些网络的固有特征。随着分析赞比亚首都卢萨卡的编码网络,该研究将文化合法性与规模创新学者的视角结合在一起。案例研究建立在Geels'和Verhees'(2011)的概念化上,框架的概念化,利益相关者用于促进技术,并展示了编码网络成员如何产生和推动合法性。透过镜头镜头在感知的合理性和框架的生产中,确定了各种促销框架,与其演员的可信度,经验合适和宏观文化共振有关。此外,该研究识别了对其成员作用范围的编码网络中的影响结构。

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