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首页> 外文期刊>Patterns of Prejudice >Women slave owners face their historians: versions of maternalism in Atlantic World slavery
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Women slave owners face their historians: versions of maternalism in Atlantic World slavery

机译:女奴隶主面对历史学家:大西洋世界奴隶制中的母体主义版本

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摘要

Foster investigates the current debate over the status of free women in Atlantic World slavery. This debate is marked not only by competing perspectives among professional historians but by conversations between historians, filmmakers, novelists, genealogists and popular writers. Traditionally, this kind of complex interaction has produced fictional icons like Scarlett O'Hara and Melanie Hamilton of the novel and film Gone with the Wind, figures that influenced southern Americans' ideas of themselves and academic historians' models of gender roles within slavery. As American slavery is more frequently assessed within a full Atlantic World and transnational context, the 'free woman within slavery' question has grown radically more nuanced and contradictory in a relatively short period of time. Particularly suspect is the older idea that servitude and race-based slavery systems served to expand paternal privilege and authority. Foster's article is oriented around the question of whether a multicultural 'maternalism' might have existed to complement or compete with paternal authority within slavery. The first section explores the paradox of free women, acting as metaphorical 'mothers' to enslaved dependents, being portrayed by male contemporaries as desexualized and sexually debauched. The second section shows the restricted way that some historians have defined 'female mastery' and the sometimes very different and less restricted ways free women described their own brands of 'mastery'. The third and final section surveys recent film and novels to assess the possibilities and limitations of achieving a transatlantic perspective on maternalism in current, historically informed popular culture. This review concludes by arguing that all these historical, historiographical and popular materials help to illustrate a new model of New World slavery, one deeply influenced by unstable Atlantic World gender hierarchies far more contradictory, complex and multicultural than the venerable 'Scarlett v. Melanie' debate and expanding paternal privilege ideas are able to encompass.
机译:福斯特调查了有关大西洋世界奴隶制中自由妇女地位的当前辩论。这场辩论不仅以专业历史学家之间相互竞争的观点为特征,而且以历史学家,电影制片人,小说家,家谱学家和流行作家之间的对话为特征。传统上,这种复杂的互动产生了虚构的偶像,例如小说和电影《乱世佳人》中的斯嘉丽·奥哈拉(Scarlett O'Hara)和梅兰妮·汉密尔顿(Melanie Hamilton),这些人物影响了南美洲人的自我观念以及学术史学家在奴隶制中的性别角色模型。随着在整个大西洋世界和跨国背景下对美国奴隶制的评估更加频繁,“奴隶制内的自由妇女”这一问题在相对较短的时间内已经变得更加细微和矛盾。尤其令人怀疑的是一个古老的观念,即奴役和基于种族的奴隶制有助于扩大父亲的特权和权威。福斯特(Foster)的文章围绕一个问题,即是否可能存在着多元文化的“母权主义”,以补充或与奴隶制中的父权制竞争。第一部分探讨了自由妇女的悖论,他们充当奴隶受抚养者的隐喻“母亲”,被同时代的男性描绘为去性和放荡。第二部分显示了一些历史学家定义“女性精通”的受限方式,有时自由女性描述自己的品牌“精通”的方式非常不同且受限制较少。第三部分也是最后一部分,对最近的电影和小说进行了调查,以评估在当前,具有历史渊源的流行文化中实现跨大西洋观点的母性主义的可能性和局限性。这篇评论的结论是,所有这些历史,史学和流行的材料都有助于说明一种新世界奴隶制的新模式,这种新模式受到不稳定的大西洋世界性别等级制的深刻影响,远比古老的“ Scarlett v。Melanie”矛盾,复杂和多元文化辩论和扩大父亲特权的想法都可以包含在内。

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