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Palimpsests of Sexuality and Intimate Violence: Turning-Points as Transformative Scripts for Intervention

机译:性与亲密暴力的最悲观者:转折点作为干预性的变革性脚本

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In this article, we explore transdisciplinary understandings of scripts as transformative interventions. Script refers, on the one hand, to cognitive, routinized behavioural patterns; on the other hand, it is a multilayered process of enacting, interpreting, and rewriting interaction within a specific context. The metaphor of the palimpsest, embodying and provoking interdisciplinary encounters, links the various layers of practised and narrated scripts. The interrelation of the scripts of the palimpsest is marked by inextricability as they use the same space and create an illusionary intimacy. We develop our ideas about script as intervention, reflecting on scripts of violence and sexual experience. We make use of the psychoanalytic term “cryptic incorporation”. Cryptic incorporation entails the idea of an experience psychically “swallowed whole” by the subject and therefore not accessible to conscious reflection, once incorporated.Our methodological readings are both empirical and fictional. The empirical example is based on an interview with one respondent, who has experienced intimate violence during the course of her life. The autobiographical text of Shedding, written in 1975 by the Swiss author Verena Stefan, is an example of fiction. Both texts engage in the inextricability of vulnerability and intimacy. Analysing these narratives, we pay special attention to “turning-points”. As turning-points represent decisive changes within evolving life-stories, they are read as palimpsestuous scripts of a transformative process. Thus, we focus on the human ability to change scripts, to rewrite biographical events. We look for a productive entanglement of our scientific writing, understanding the writing process itself as a palimpsestuous layer of script as intervention.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/08038740.2010.498767
机译:在本文中,我们探讨了脚本对变革性干预的跨学科理解。一方面,脚本是指认知的,常规的行为模式;另一方面,它是在特定上下文中进行交互,解释和重写交互的多层过程。最清淡的比喻,体现并激发了跨学科的相遇,将实践和叙述脚本的各个层面联系在一起。最残酷的剧本之间的相互关系以其不可分割的特性为标志,因为它们使用相同的空间并产生幻觉的亲密感。我们发展了关于脚本作为干预的思想,反映了暴力和性经历的脚本。我们使用了心理分析术语“加密合并”。隐匿性合并需要一种在主题上“被吞咽整个”的心理体验,因此一旦被合并,就无法进行有意识的反思。我们的方法学阅读既是经验性的,也是虚构的。实证的例子是基于对一位受访者的采访,这位受访者在一生中经历过亲密的暴力行为。瑞士作家Verena Stefan于1975年撰写的《谢丁》自传体文字就是小说的一个例子。两种文本都涉及脆弱性和亲密性的不可分割性。分析这些叙述后,我们特别注意“转折点”。由于转折点代表着不断发展的生活故事中的决定性变化,因此它们被视为变革过程中的白痴脚本。因此,我们专注于人类改变脚本,重写传记事件的能力。我们正在寻求科学写作的有效融合,将写作过程本身理解为脚本的最薄弱的一层。作为参考。 twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多“,发布:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/08038740.2010.498767

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