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‘Ah Clara, I am not worthy of your love’: Rereading ‘Frauenliebe und Leben’, the Poetry and the Music

机译:“啊,克拉拉,我不配得到你的爱”:重读《诗歌与音乐》

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摘要

In setting Chamisso’s Frauenliebe und Leben, Schumann discovered in the poems a subtext that he reflected in the music. Although the heroine of the poems manifestly aspires to be humble and submissive, as was widely expected of women in her day, she emerges, to those who read closely, as more independent and spirited than she herself knows. By shaping details in his songs’ vocal line, Schumann captures the heroine’s independence of spirit, as well as her resentment when her husband proves unequal to her high expectations; and by casting the piano as the heroine’s husband, Schumann gives voice to a man’s inner fears of disappointing or injuring the woman he loves. Schumann’s music thus offers a penetrating insight into the Frauenliebe poems, even while expressing the composer’s own deep anxieties, on the eve of his marriage, about his worthiness to wed the prodigiously gifted Clara Wieck.
机译:在创作Chamisso的Frauenliebe und Leben时,舒曼在诗歌中发现了他在音乐中反映出的潜台词。尽管诗中的女主人公显然渴望谦虚和顺从,正如她当时对妇女的普遍期望,但对于那些细心阅读的人来说,她比她自己所知道的更加独立和充满活力。通过在歌曲的人声中塑造细节,舒曼抓住了女主人公的精神独立性,以及当丈夫证明不符合她的高期望时对她的不满。舒曼通过将钢琴扮演女主角的丈夫的角色,表达了男人内心对让自己所爱的女人失望或受伤的恐惧。因此,舒曼的音乐为弗劳恩利贝(Frauenliebe)的诗歌提供了深刻的见解,即使在结婚前夕表达了作曲家自己的深切忧虑,也证明了他有能力嫁给这位天才的克拉拉·维克(Clara Wieck)。

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  • 来源
    《Music and Letters》 |2006年第4期|580-605|共26页
  • 作者

    Elissa S. Guralnick;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 01:06:18

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