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Mapping the Reference Maze

机译:映射参考迷宫

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Roland Barthes once said, "Literature is without proofs. By which it must be understood that it cannot prove not only what it says, but even that it is worth the trouble of saying it." Many frustrated students mired in T.S. Eliot's Waste Land or trying to understand why Dante sentenced Brutus to the worst level in Hell might agree. Overwhelmed collection development librarians trying to select from the seemingly endless and similar series of literature reference sources would concur. The field of literature is vast and complex, encompassing the entire body of writings (poetry, drama, novels, short stories, essays) of a particular people, language, culture, and time. Owing to this enormous complexity, public and college librarians need to determine carefully the focus and scope of their reference collections. Supporting a specialized comparative literature program requires a wide array of research materials; supporting high school and community college students writing term papers on The Scarlet Letter can limit the need to several accessible resources.
机译:罗兰·巴特(Roland Barthes)曾经说过:“文学是没有证据的。必须理解的是,文学不仅不能证明所言,而且值得证明。”许多沮丧的学生陷入了T.S.艾略特的荒原,或者试图理解但丁为何将布鲁图斯判处地狱最糟糕的境地可能会同意。不堪重负的馆藏发展图书馆员会试图从看似无止境的和类似的系列文献参考资源中进行选择。文学领域是广阔而复杂的,涵盖了特定民族,语言,文化和时间的整个作品(诗歌,戏剧,小说,短篇小说,散文)。由于这种巨大的复杂性,公共和大学图书馆员需要仔细确定其参考馆藏的重点和范围。支持专门的比较文学课程需要大量研究材料;支持高中和社区大学的学生在《红字》上写学期论文可以将需求限制在几个可访问的资源上。

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