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romance

机译:浪漫

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摘要

Not that historical romance is creepy, unless, of course, you're talking about a par-ticularly sinister gothic. Yet the subgenre is expanding its reach, creeping into decades previously considered off-limits or at least marginal (e.g., not old enough or romantic enough) or viewing traditional time frames from a variety of perspectives. For exam-ple, the first half of the 20th century is now considered fair game by most authors (see Amanda Quick's The Girl Who Knew Too Much), and the Civil War has a very different look when seen through the eyes of a freedwoman-turned-spy (Alyssa Cole's An Ex-traordinary Union). Despite these changes in direction, current favorite eras remain the British Regency and the Victorian periods, with many authors incorporating modern-day values and concerns into their stories. The relevance and popularity of those older settings are likely to continue even as the entire subgenre grows.
机译:并不是说历史上的浪漫是令人毛骨悚然的,除非您当然是在谈论特别是险恶的哥特式。然而,该子流派正在扩大其影响范围,发展到几十年前被认为是超限或至少是边际的(例如,年龄不够大或不够浪漫),或从各种角度查看传统的时间范围。例如,大多数作者现在都认为20世纪上半叶是公平的游戏(请参阅Amanda Quick的《知道太多的女孩》),而从自由女神的眼光来看,南北战争的面貌却大不相同-变间谍(Alyssa Cole的非常规联盟)。尽管方向发生了这些变化,但当前最受欢迎的时代仍然是英国摄政时期和维多利亚时期,许多作家将现代价值观和关注点纳入他们的故事。即使整个子流派都在增长,那些较老的设置的相关性和受欢迎程度也可能会继续。

著录项

  • 来源
    《Library Journal》 |2017年第7期|67-70|共4页
  • 作者

    Kristin Ramsdell;

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  • 原文格式 PDF
  • 正文语种 eng
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  • 入库时间 2022-08-17 23:17:45

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