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The relation between lateralisation, early start of training, and amount of practice in musicians: A contribution to the problem of handedness classification

机译:偏侧化,早期训练和音乐家练习次数之间的关系:对惯用性分类问题的贡献

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This study investigates the influence of extensive bimanual training in professional musicians on the incidence of handedness in the most basic form of right-handedness (RH) and non-right-handedness (NRH), according to Annett's “right shift theory”. The lateralisation coefficients (LCs) of a total sample of 128 bimanually performing music students were calculated for speed, regularity, and fatigue of tapping by using the speed tapping paradigm. Additionally, the accumulated amount of practice was recorded by means of retrospective interviews. The proportion of designated right-handers (dRH) and non-right-handers (dNRH) in hand performance was identified by binary logistic regression from LCs. A proportion of 30.8% designated NRH in the group of musicians was found, while in the control group of non-musicians (matched for age range) a proportion of 21.7% designated NRH was observed. Incidence of dNRH was higher in string players (35.6%) than in pianists (27.1%). As an effect of the extensive training of the left hand, tapping regularity increased and tapping fatigue decreased among those participants who evidenced an increased amount of accumulated practice time on the instrument. However, speed difference between hands (as indicated by LCs) remained uninfluenced by bimanual training. This finding is in contrast to those of Jäncke, Schlaug, and Steinmetz (1997). Finally, our study provides a more reliable (statistical) classification as an external criterion for future genetic analyses of handedness.View full textDownload full textKeywordsMusic performance, Handedness classification, LateralityRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13576500902885975
机译:根据安妮特的“右移理论”,本研究调查了在专业音乐家中进行的大量双手培训对最基本形式的惯用右手(RH)和非惯用右手(NRH)惯用手的发生率的影响。 。通过使用速度攻丝范例,计算了128位双手演奏音乐学生的样本总数的横向系数(LCs),以求出速度,规律性和疲劳感。此外,通过回顾性访谈记录了实践的累积量。通过LC的二元logistic回归确定了指定的右手使用者(dRH)和非右手使用者(dNRH)在手部表现中的比例。发现在音乐家组中指定为NRH的比例为30.8%,而在非音乐家(与年龄范围匹配)的对照组中,观察到指定为NRH的比例为21.7%。弦乐演奏者中dNRH的发生率(35.6%)高于钢琴演奏者(27.1%)。作为左手大量训练的结果,在那些证明乐器上的累积练习时间增加的参与者中,拍打规律增加,拍打疲劳减少。但是,双手的速度差异(如LC所示)仍然不受双手训练的影响。这一发现与Jäncke,Schlaug和Steinmetz(1997)的发现相反。最后,我们的研究提供了一种更可靠的(统计)分类,作为将来对手性进行遗传分析的外部标准。 citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13576500902885975

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