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Styling the occidental other: interculturality in Chinese university performances

机译:塑造西方他人:中国大学表演中的跨文化性

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摘要

Essentialist representations of the Orientalised Other abound within the literature of intercultural communication. The dominant discourse constructs Chinese-speaking students as members of a homogenised collective: passive recipients of knowledge who are reliant on a reproductive approach to learning. This article seeks to offer a corrective to such notions, which underestimate the complexity and dynamism of Chinese academic cultures. Using a critical ethnographic approach, it examines interdiscourse communication within the context of institutional performances. In 'international evenings' and 'debate contests' Chinese-speaking students are observed to engage in acts of 'crossing' and 'styling', involving the selective and playful appropriation of the discourses of the Other. These communicative events are thus seen as sites of discursive struggle and transculturation in which hybrid identities are negotiated and contradictory subjectivities are produced.
机译:跨文化交流的文献中充斥着“东方人”的本质主义代表。占主导地位的话语将说汉语的学生构造成一个同质化集体的成员:被动地接受知识的人,他们依靠生殖的学习方法。本文旨在对这些概念进行纠正,这些概念低估了中国学术文化的复杂性和活力。它使用批判的人种学方法,在制度绩效的背景下研究了话语交流。在“国际晚会”和“辩论赛”中,会说汉语的学生参与“交叉”和“造型”行为,涉及对另一方话语的选择性和嬉戏性使用。因此,这些交流活动被视为话语斗争和跨文化的场所,在这种场所中,混合身份得以协商并产生了矛盾的主观性。

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