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Cowboys, Indians and Perky Waitresses: Contesting Tourist Myths of the American West

机译:牛仔,印第安人和活泼的女服务生:争议的美国西部旅游神话

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摘要

Emily Post, an upper-middle class American divorcee, not yet the byword for correct social behaviour, as her Blue Book of Etiquette was to be published seven years later, set off from New York in April 1915 to motor to San Francisco. Armed with many misconceptions about the Wild West, she took two evening dresses, a block and tackle and a solid silver picnic set, and planned to see how far she could go in comfort. Her attitudes changed dramatically as she drove west, and she wrote perceptively about the disjunction between myth and reality and the inherent theatricality of the tourist experience. This paper analyses three incidents in her journey: the meeting with a taciturn cowboy who hailed from Massachusetts, her assessment of the vaudeville nature of a Native American dance performance, and her sensation of being behind the scenes at a theatre as a trainload of passengers were served by the legendary Harvey Girls. The creation of the myth of the Old West was well under way in 1915; this micro-study of an elite traveller's reactions suggests that the myth did not go uncontested.
机译:艾米丽·波斯特(Emily Post)是美国中上层离婚者,但尚未成为正确社交行为的代名词,因为她的《礼仪蓝皮书》将于7年后出版,并于1915年从纽约出发,开往旧金山。怀着对狂野西部的种种误解,她带了两件晚礼服,一个街区和一个铲球以及一个坚实的银色野餐套装,并计划看看自己能在多大程度上舒适。当她向西行驶时,她的态度发生了巨大变化,并且她敏锐地写下了神话与现实之间的脱节以及游客体验固有的戏剧性。本文分析了她旅途中的三个事件:与一位来自马萨诸塞州的沉默寡言的牛仔会面,她对美国原住民舞蹈表演的杂耍风格的评估,以及她的感觉是在剧院里被一群乘客吸引到幕后由传奇的哈维女孩担任。 1915年,古老的西方神话的建立正在顺利进行;对精英旅行者反应的微观研究表明,神话并非毫无争议。

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