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The handbook of art and design librarianship

机译:艺术与设计图书馆学手册

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摘要

What is particular about art and design librarianship? As the editors assert, these are 'some of the most beautiful collections and imaginative patrons on the planet' (ⅹⅹ). They have a user profile whose interests make the activity of connecting them with resources and knowledge 'the kind of process that makes art librarianship interesting', as Clive Philpott makes clear in his foreword (ⅹⅶ). There's the obvious point that the study of both the history and the practice of art and design relies heavily on image technologies Kohl, cited by Molly Schoen (53). And in fact Rachel Ivy Clarke draws specific parallels between the business of librarians and of designers, looking at librarianship through a design lens rather than as a social science discipline, on the basis of the distinction that science is about what is while design is about what could (or should) be, arguing for the place of design thinking in the work of design librarians.
机译:艺术和设计图书馆学有什么特别之处?正如编辑们所断言的那样,这些是“地球上一些最美丽的收藏和富有想象力的顾客”(')。正如克莱夫·菲尔波特(Clive Philpott)在其序言(ⅹⅶ)中所明确指出的那样,他们拥有用户资料,其兴趣使将他们与资源和知识联系起来的活动“使美术图书馆管理变得有趣的过程”。显而易见的是,对艺术和设计的历史以及实践的研究在很大程度上依赖于科尔(Molly Schoen,53)引用的图像技术。实际上,雷切尔·艾维·克拉克(Rachel Ivy Clarke)在图书馆员和设计师的业务之间建立了特定的相似之处,它通过设计视角而不是社会科学学科来考察图书馆员,这是基于科学是关于什么是设计而设计是关于什么的区别。可能(或应该)争论设计思想在设计图书馆员的工作中的地位。

著录项

  • 来源
    《Journal of the society of archivists》 |2018年第2期|265-267|共3页
  • 作者

    Sue Breakell;

  • 作者单位

    University of Brighton Design Archives, Brighton, UK;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 03:54:09

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