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首页> 外文期刊>Journal of the royal Asiatic society >Illustrations of Human Effigies in Tibetan Ritual Texts: With Remarks on Specific Anatomical Figures and Their Possible Iconographic Source
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Illustrations of Human Effigies in Tibetan Ritual Texts: With Remarks on Specific Anatomical Figures and Their Possible Iconographic Source

机译:藏族仪式文本中的人像插图:附有特定解剖图及其可能的图像来源的评论

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摘要

The ritual use of objects and images designed to serve as effigies or surrogates of specific persons, animals or spirits is more or less universal across cultures and time. In Tibet, recent archaeological evidence attests to the use of illustrated effigies possibly dating from the eleventh century. Other early Tibetan images include anthropomorphic figures inscribed on animal skulls. The practical use of effigies in Tibetan ritual, both Buddhist and Bon-po, was almost certainly derived from much older Indian practices transmitted to Tibet. In this article illustrated effigies, their iconography and ritual use are discussed and the article concludes with the translation and transliteration of a short work by the fifteenth-century treasure revealer (gter-ston) and patron saint of Bhutan Padma-gling-pa (1450—1521), which gives instructions on how to draw a lihga for a ritual of defence against human adversaries.
机译:旨在作为特定人物,动物或精神的肖像或代用品的对象和图像的仪式使用在整个文化和时间中或多或少地普遍存在。在西藏,最近的考古学证据证明使用了可能始于11世纪的插图雕像。其他早期的西藏图像包括刻在动物头骨上的拟人化人物。几乎可以肯定的是,在佛教和苯教地区的藏族仪式中使用肖像像,几乎可以肯定是源于印度传给西藏的许多古老习俗。在这篇文章中,对肖像作品,肖像和仪式用法进行了讨论,并以15世纪宝藏揭密人(gter-ston)和不丹Padma-gling-pa的守护神(1450)的短篇作品的翻译和音译作为结尾。 (1521年),其中给出了有关如何为抵御人类对手进行防御的仪式使用长毛绒的说明。

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