Theories of the soundtrack. Oxford

Alexander Carter

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Theories of the soundtrack. Oxford

机译：电影配乐的理论。牛津

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While considerations of media properties are often saturated with industry-specific details and terminologies, James Buhler's Theories of the Soundtrack offers a clear yet sophisticated overview of film sound theory, which is accessible to both established academics and general enthusiasts. In addition to providing a fine foundation of pertinent historical information, this book presents a far deeper analysis of theoretical frameworks, which have previously been used to effectively combine the mediums of film and soundtrack. Through consideration of six theoretical models, Buhler expands his research to chart the development of individual topics as they developed chronologically, and eventually concludes with a consideration of the soundtrack as it relates to digital media. Scholars of both film and audio theory will find valuable insights within this book. Each theory is approached with a nuance, which not only brings clarity to its implicit and explicit claims, but also expands these theories to allow for a greater consideration of the film-sound hybrid.

机译：尽管媒体属性的考虑通常充满了特定于行业的细节和术语，但詹姆斯·布勒的《电影原声理论》为电影声音理论提供了清晰而复杂的概述，既成名的学者和普通发烧友都可以使用。除了提供相关历史信息的良好基础外，本书还对理论框架进行了更深入的分析，这些理论框架以前曾被用来有效地结合电影和配乐的媒介。通过考虑六个理论模型，布勒扩大了他的研究范围，以绘制各个主题按时间顺序发展的情况，并最终考虑了与数字媒体相关的配乐。电影和音频理论的学者将在本书中找到有价值的见解。每种理论都有细微的差别，这不仅使其内在的和明确的主张更加清晰，而且扩展了这些理论以允许更多地考虑电影声音的混合体。

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《Journal of radio & audio media》 |2019年第2期|372-374|共3页
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Alexander Carter;
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Ryerson University;

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入库时间 2022-08-18 05:16:24

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Theories of the soundtrack. Oxford

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