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首页> 外文期刊>Journal of Historical Geography >'By cruel foes oppress'd': British naval draughtsmen in Tahiti and the South Pacific in the 1840s
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'By cruel foes oppress'd': British naval draughtsmen in Tahiti and the South Pacific in the 1840s

机译:“残酷的敌人压迫”:1840年代在塔希提岛和南太平洋的英国海军制图员

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摘要

This paper considers little-known imagery made by mid-nineteenth century naval officers travelling in the Pacific, which has often been overlooked by art historians. In particular, it examines landscape drawings and prints made by officers travelling on a sequence of voyages through Polynesia, and argues that these need to be understood within the specific context of Anglo-French imperial rivalry in the region focused on the French annexation of Tahiti in the early 1840s. Rather than being simply a transparent set of tourist souvenirs, the views produced by the British officers were self-consciously reiterative, both of each other and also of a genre of exploration imagery deriving from James Cook's seminal Pacific voyages of 1768-1780. As such, they perpetuate and naturalize an image of the islands as tied to a positivist and teleological account of British imperial history, in which the French presence on Tahiti is presented as invasive, aberrant and despotic. Taking these drawings and prints as a case study, it concludes that the mass of similar imagery lying ignored in local and national archives needs to be reviewed as meriting serious art-historical scrutiny.
机译:本文考虑了19世纪中叶在太平洋旅行的海军军官们鲜为人知的图像,而这些图像经常被艺术史学家所忽视。特别是,它检查了经过波利尼西亚的一系列航行中的官员制作的景观图和版画,并认为需要在该地区英法帝国对抗的特定背景下加以理解,重点是法国吞并塔希提岛。 1840年代初期。英国军官所发表的观点不仅是一套透明的旅游纪念品,而且彼此之间是自觉地反复出现的,彼此之间也都是自詹姆斯·库克(James Cook)1768-1780年开创性的太平洋航行中衍生出来的一种探索图像。因此,它们使岛屿的形象永久化和自然化,与对英国帝国历史的实证主义和目的论的叙述联系在一起,法国在塔希提岛的存在被认为是侵入性的,异常的和专制的。以这些图纸和印刷品为案例研究,得出的结论是,在进行认真的艺术历史审查时,需要对地方和国家档案馆中忽略的大量相似图像进行审查。

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