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Fashion Curating: Critical Practice in the Museum and Beyond

机译:时尚策展:博物馆中的批判性实践及其他

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摘要

With Fashion Curating: Critical Practice in the Museum and Beyond editors Annamari Vanska and Hazel Clark have compiled an anthology that aims to investigate curatorial practices in fashion with particular emphasis on collaboration. Their goal to reconsider established models, systems, and thinking is realized through the varied perspectives of professionals working in, around, and outside of museums and academia. The book is part historical document and part case study, with origins in a 2013 exhibition and subsequent symposium where a selection of the contributors presented materials that became the basis for this volume. The thirteen chapters are divided into three sections: 'Within The Museum', The Independents', and 'Beyond The Museum'. Each features an introduction by the editors and individual authors generally follow a format of presenting personal experiences as a foundation for critical questioning. The commentary examines current practices through these observations in order to reframe fashion curation in the early decades of the twenty-first century as it emerges in the public eye through blockbuster exhibitions, with many presented by fashion brands outside of museum settings.
机译:借助《时尚策展:博物馆及其他学科中的批判实践》,安娜玛丽·范斯卡(Annamari Vanska)和榛树·克拉克(Hazel Clark)编写了一部选集,旨在研究时尚方面的策展实践,特别强调协作。他们重新考虑已建立的模型,系统和思想的目标是通过博物馆和学术界内部,周围和外部的专业人员的不同观点来实现的。这本书是历史文献和案例研究的一部分,起源于2013年的展览和随后的座谈会,其中一些撰稿人介绍了成为该卷基础的材料。十三章分为三个部分:“博物馆内”,“独立人士”和“博物馆外”。每篇文章都有编辑者和个人作者的介绍,一般都采用呈现个人经验的形式,作为批判性提问的基础。评论通过这些观察来考察当前的做法,以重新构架二十一世纪初期的时尚策展,因为它通过大片展览在公众视野中出现,其中许多是时装品牌在博物馆之外的地方展出的。

著录项

  • 来源
    《Journal of design history》 |2019年第4期|401-402|共2页
  • 作者

    Sarah C. Byrd;

  • 作者单位

    Independent Scholar Brooklyn NY USA;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 04:50:08

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