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A Museum of Living Architecture $ Continuity and Contradiction at the Des Moines Art Center

机译:得梅因艺术中心的生活建筑博物馆:连续性与矛盾性

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This paper explores the design and construction of the Des Moines Art Center, revealing a set of distinct approaches to both architectural design and the preservation and extension of existing though not yet historic work. Three architects, Eliel Saarinen, I.M. Pei, and Richard Meier, designed the center in three separate phases. Each of these projects had to take the existing fabric of landscape and building into account, and each adopted startlingly distinctive methods for both preserving and extending the work of their predecessors. The resulting museum, seen as a place for experiencing and making art, and as a record of architectural strategies, forms a unique opportunity for investigation of and reflection upon attitudes toward renovation, preservation, extension, and alteration of recently completed work.
机译:本文探讨了得梅因艺术中心的设计和建造,揭示了一套独特的方法来进行建筑设计以及对现有但尚未完成的历史作品的保存和扩展。该中心由三个建筑师Eliel Saarinen,贝Pe铭(I.M. Pei)和Richard Meier设计,分三个阶段进行。这些项目中的每个项目都必须考虑到现有的景观和建筑结构,并且每个项目都采用惊人的独特方法来保存和扩展其前辈的工作。由此产生的博物馆被视为体验和制作艺术的地方,也是建筑策略的记录,为调查和反思对最近完成的作品的翻新,保存,扩建和变更的态度提供了独特的机会。

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