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Bringing back sweet (and not so sweet) memories: the cultural politics of memory, hip-hop, and generational identities

机译:带回甜蜜的(而不是那么甜蜜的)记忆:记忆,嘻哈音乐和世代身份的文化政治

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This article examines the salience of collective 'memory' and 'remembering' among a group of students in Hip-Hop Lit, a hip-hop centered English literature course that I co-taught at 'Howard High School,' an urban high school in the Northeastern United States. Specifically, this article examines the memory work that occurred within Hip-Hop Lit in response to the students' interactions with one of the course texts, Things Done Changed by rapper Notorious B.I.G. From this and other classroom texts, students were able to construct, contest, and reinscribe memories about the past. Through these memories, students were able to reaffirm and challenge particular social identities that informed and reflected their lived experiences.
机译:本文研究了Hip-Hop Lit这一以嘻哈为中心的英语文学课程的一群学生中集体“记忆”和“记忆”的显着性,我是在我所在的城市霍华德高中(Howard High School)联合教的美国东北部。具体来说,本文考察了嘻哈舞蹈中发生的记忆工作,以响应学生与课程文本之一的互动,即说唱歌手Notorious B.I.G.通过本课本和其他课堂教科书,学生们能够建构,竞赛和重新刻画过去的回忆。通过这些记忆,学生能够重申和挑战特定的社会身份,这些身份可以告知和反映他们的生活经历。

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