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It's a CG affair

机译:这是CG事件

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Back in October this year, to the delight of students, hippies and Gen Xers everywhere, it was announced that The Magic Roundabout was going to make a feature film comeback sometime in 2004. Of course, there are going to be a few changes. Out go Eric Thomson's narration and whimsical plotlines, in come celebrity voiceovers from the likes of Robbie Williams, Joanna Lumley and the mighty Tom Baker. Out presumably too goes Serge Danot's original French surreality to be replaced by something a bit more market-oriented, after all the core market of the film is likely to be children rather than simply stoned thirtysomethings at the late night showing. Also out go the original puppets, for The Magic Roundabout 2004 is destined to be a wholly CG affair. There's a been a bit of a rash of this sort of story lately, as production houses and film companies snap up the rights to old material with a proven track record and attempt to re-purpose it for the modern market (or indeed revisit their own hits, as Cosgrove Hall are doing with the splendid Dangermouse). 3D is the key to making it work too. Traditional cel animation is expensive to produce and needs vast serried ranks of workers to pull it off, one of the reasons why successful series like The Simpsons - which costs roughly $1 m per episode - ends up as a runaway production with a lot of work being done outside the US, in this case in South Korea. It also takes a long time, a single episode of Matt Groening's comic masterpiece taking anywhere between eight to nine months to produce.
机译:早在今年10月,使各地的学生,嬉皮士和Xers一代高兴的是,The Magic Roundabout宣布将在2004年的某个时候复出一部长片。当然,将会有一些变化。埃里克·汤姆森(Eric Thomson)的叙述和异想天开的情节画外话,来自罗比·威廉姆斯(Robbie Williams),乔安娜·鲁姆利(Joanna Lumley)和强大的汤姆·贝克(Tom Baker)等名人的配音。在电影的所有核心市场可能都是儿童市场,而不是在深夜放映的三十多岁的电影中,塞吉·达诺特(Serge Danot)最初的法国超现实主义也可能会被市场导向的东西所取代。原来的木偶也走了,因为《魔术回旋处2004》注定是完全的CG事件。最近,这类故事有些轻描淡写,因为制片公司和电影公司抢购了具有良好记录的旧材料的版权,并试图将其重新用于现代市场(或者实际上是重新审视自己的材料)就像科斯格罗夫·霍尔(Cosgrove Hall)出色的Dangermouse一样。 3D也是使其工作的关键。传统的cel动画制作成本高昂,需要大量的工作人员来完成,这是《辛普森一家》等成功系列(每集成本约100万美元)成功的原因之一,其制作失控,工作量很大在美国境外完成,在本例中是在韩国。这也需要很长时间,马特·格罗宁(Matt Groening)的漫画杰作的单集制作时间在八到九个月之间。

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