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Learning from … (or 'the need for queer pedagogies of space')

机译:向……学习(或“需要对空间进行奇怪的教学”)

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Despite its emergence in architectural discussions in the early 1990s, more than 25 years later, the idea of queerness has yet to fully transform the way we practice, teach or even experience spatial design. While obviously focused on how gender and sexuality play a role in the building of personal and collective identifications, queer theory becomes much more interesting when used to think more broadly about how different elements intersect in our experience and use of space. Unfortunately, despite most of the thinking about the relation between queerness and architecture taking place in the academic world, its impact on architectural pedagogy has been quite limited and very few designers have learned from queer theory's insights. This essay develops different innovative teaching methods through interviews with educators across the world and focuses on how interiors education can become a vessel for queer and feminist ideas to impact architecture and design education at large. These strategies include embracing failure and disruption, supporting students, and becoming engaged activist educators. They focus on bridging a gap between different groups, on helping designers to acknowledge the limits of their designs and to maximize the possibilities offered by their design decisions. Queering design means building relations, offering layered opportunities, multiplying possible experiences. Queering design pedagogy in turn means multiplying points of views, opening the discipline to not only other disciplines, but to the everyday, and thinking about how our experiences as human beings, impact and transform our designs.
机译:尽管它在1990年代初期出现在建筑讨论中,但在25年后的今天,古怪的思想尚未完全改变我们实践,教授甚至体验空间设计的方式。虽然很明显地关注性别和性行为如何在个人和集体认同的建立中发挥作用,但当人们更广泛地思考不同元素如何在我们的体验和空间使用中相交时,酷儿理论变得更加有趣。不幸的是,尽管大多数人都在研究学术界对古怪性与建筑之间的关系的思考,但它对建筑教学法的影响却十分有限,很少有设计师从古怪理论的见识中吸取教训。本文通过与世界各地的教育工作者进行访谈,开发了不同的创新教学方法,并着重探讨了室内教育如何成为酷儿和女权主义思想的船只,从而对整个建筑和设计教育产生影响。这些策略包括拥抱失败和破坏,支持学生以及成为积极的激进主义教育者。他们专注于弥合不同群体之间的鸿沟,帮助设计师认可其设计的局限性,并最大程度地发挥其设计决策提供的可能性。奇怪的设计意味着建立关系,提供分层的机会,增加可能的经验。反驳设计教育方法意味着要增加观点,不仅要对其他学科开放,还要对日常开放,并思考我们作为人类的经历如何影响和改变我们的设计。

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