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The Magical Features of Immersive Audiovisual Environments

机译:身临其境的视听环境的神奇特征

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摘要

For centuries, artists, scientists, writers, designers, engineers, and others have explored audiovisual environments to create augmented realities and temporary autonomous spaces. The constant evolution of new media technologies provides the creators with better tools each day, allowing them to merge existing physical spaces with the virtual—the digital and imaginary ones. The magical features of these environments have been attracting humans since long before the advent of new media technologies. The need to understand the universe is a basic human trait, as is the more specific need to understand its rules so we can break them and create new worlds. Randall Packer and Ken Jordan write, "The fantasy of being transported into another world, to be taken wholly into the imaginary real, is a primal desire". This fantasy has existed from ancestral times, spanning civilizations and technologies. It is embedded in human consciousness and exists in a range of fields, from literature to science, visual art, and cinema.
机译:几个世纪以来,艺术家,科学家,作家,设计师,工程师和其他人一直在探索视听环境,以创造增强的现实和临时的自治空间。新媒体技术的不断发展为创作者每天提供了更好的工具,使他们可以将现有的物理空间与虚拟的数字和虚构空间融合在一起。自从新媒体技术问世以来,这些环境的神奇功能就一直吸引着人类。了解宇宙的需求是人类的基本特征,更具体的需求是了解宇宙的规则,以便我们打破宇宙规则并创造新的世界。兰德尔·帕克(Randall Packer)和肯·乔丹(Ken Jordan)写道:“被运送到另一个世界的幻想,被完全带入虚构的现实,是一种原始的愿望”。这种幻想已经存在于远古时代,跨越了文明和技术。它嵌入人类意识中,并存在于从文学到科学,视觉艺术和电影等众多领域。

著录项

  • 来源
    《Interactions》 |2013年第5期|32-37|共6页
  • 作者

    Rodrigo Carvalho;

  • 作者单位

    University of Porto;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 13:30:58

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