THE ARTIST REGISTRY

摘要

This article examines the role of state intervention on itinerant artists in the Cirebon region one year before and after Suharto's 1965 coup d'état (Gestok). Two artist identification cards from Majalengka are central to the study: the first one was inaugurated six months before the coup, the second card anticipated Gestok's first anniversary. Although the registries were launched by two political regimes with disparate agendas, both were issued by the Regency of Majalengka's Education and Culture Department.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13639811.2011.575616