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首页> 外文期刊>The Independent Review: a journal of political economy >Hamilton on Broadway and the Founding in American: Culture An Introduction
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Hamilton on Broadway and the Founding in American: Culture An Introduction

机译:百老汇的汉密尔顿与美国人的创立:文化简介

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摘要

The Broadway musical Hamilton (2015) has become the rare theater event that takes a prominent place in American popular culture and political discourse.1 Its runaway commercial and artistic success has created a unique place of renewed prominence for its central character, Alexander Hamilton, America's first Treasury secretary. It has also provided a uniquely influential voice for the musical's creator, Lin-Manuel Miranda, and his interpretation of the American Founding, its players, and its legacy. I organized this symposium and arranged for a group of thoughtful scholars of the American Founding, economics, and financial history to attend the Broadway show and contribute papers to this volume. The goal is to help us better understand what legacy might emerge from this cultural phenomenon and how it might influence our understanding of the American Founding well into the twenty-first century.
机译:百老汇音乐剧《汉密尔顿》(2015年)已成为罕见的戏剧盛会,在美国流行文化和政治话语中占有重要地位。1其商业和艺术上的成功失利为其中心人物亚历山大·汉密尔顿(Alexander Hamilton)创造了独特的地位。第一财政部长。它也为音乐剧的创作者Lin-Manuel Miranda和他对美国唱片公司,其演奏者及其遗产的诠释提供了独特的影响力。我组织了这次座谈会,并安排了一批有思想的美国建国,经济学和金融史学者参加百老汇展览,并为这一卷撰写论文。目的是帮助我们更好地理解这种文化现象可能带来的遗产,以及它如何影响我们对进入二十一世纪的美国建国的理解。

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