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首页> 外文期刊>Identities >“PURE MANLINESS”: THE COLONIAL PROJECT AND AFRICA'S IMAGE IN NINETEENTH CENTURY ICELAND
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“PURE MANLINESS”: THE COLONIAL PROJECT AND AFRICA'S IMAGE IN NINETEENTH CENTURY ICELAND

机译:“纯人类”:十九世纪冰岛的殖民地项目和非洲形象

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Iceland did not participate directly in the nineteenth century colonial project, but the interwoven racial, gendered, and nationalistic ideologies associated with the colonial project were very much a part of Icelandic identity as shaped by nationalist and imperialist discourses in Europe. This article focuses on representations of Africa in nineteenth century Iceland, claiming that the Icelandic discussions of Africa were not so much concerned with the continent itself, but through descriptions of the exploration and colonization of Africa, European masculinities were affirmed and Icelanders “natural” location within that category. This was particularly important at times when Iceland was seeking independence and acceptance as a “white” European country. I stress these nineteenth century texts as gendered testimonies that show the interaction of various poles of identity, being written by white, Icelandic men and originating from a marginal country within Europe.
机译:冰岛没有直接参与19世纪的殖民计划,但是与殖民计划相关的交织的种族,性别和民族主义意识形态在很大程度上是由欧洲的民族主义和帝国主义话语塑造的冰岛身份的一部分。本文着重介绍19世纪冰岛的非洲形象,声称冰岛对非洲的讨论并不太关注该大陆本身,而是通过对非洲的探索和殖民化的描述,确认了欧洲男子气概,并且冰岛人是“自然”的居住地在该类别中。在冰岛寻求独立和接受为“白人”欧洲国家的时候,这一点尤其重要。我强调这些十九世纪的文本为性别证词,显示了白人身份不同的极点之间的相互作用,这些白人是冰岛白人,来自欧洲一个边缘国家。

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