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From Doubt to Functionality: An Imagery Story

机译:从怀疑到功能:影像故事

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Mental imagery and mental simulations play an important role in any consumption experience. For decades, however, the famed "imagery debate" dominated discussions on imagery and to some extent stymied research on how imagery impacts consumption. As researchers debated whether a picture-like component was part of the underlying mental representation or not, a researcher's inability to produce concrete evidence that people had indeed formed mental images was often used to challenge imagery-based explanations. Despite this, the last decade has witnessed burgeoning research on how consumers use imagery in a myriad of ways — often in the service of some larger goal. The monograph views imagery through this functional lens and reviews and organizes these findings. This review provides a historical perspective on imagery research and then uses evidence from past research to lay down a conceptual foundation for new work that will undoubtedly emerge in the coming decades. Questions such as "What triggers imagery?" "Are there differences between perception and imagery?" "How do we use imagery to create simulations and imagine what we do not see?" "How does imagery exert an influence?" and "Are there individual and cultural differences in the ability to image?" are addressed. Then, to unify the somewhat diverse findings from imagery research conducted on consumers, the monograph organizes the research using two dimensions: The extent to which imagery is spontaneous or deliberate and whether it has cognitive or motivational antecedents. This framework is used to not only discuss the existing research but also to pose questions that remain to be answered.
机译:心理图像和心理模拟在任何消费体验中都起着重要作用。然而,几十年来,著名的“图像辩论”主导了关于图像的讨论,并且在某种程度上阻碍了关于图像如何影响消费的研究。当研究人员争论像图片一样的成分是否是潜在的心理表征的一部分时,研究人员无法提供具体证据证明人们确实形成了心理图像,这常常被用来挑战基于图像的解释。尽管如此,最近十年见证了有关消费者如何以多种方式使用图像的新兴研究,通常是为了实现更大的目标。专着通过这种功能的视角来观察图像,并回顾和整理这些发现。这篇评论提供了图像研究的历史观点,然后使用过去的研究证据为新工作奠定了概念基础,而这些新工作无疑将在未来几十年出现。诸如“什么触发图像?”这样的问题:“感知和图像之间有区别吗?” “我们如何使用图像来创建模拟并想象我们看不到的东西?” “图像如何发挥作用影响力”和“影像能力是否存在个体和文化差异?”。然后,为了统一从对消费者进行的图像研究中得出的有些不同的发现,专着使用了两个维度来组织研究:图像的自发性或故意程度以及它是否具有认知或动机前提。该框架不仅用于讨论现有研究,还用于提出仍有待解决的问题。

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