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Rhythm synchronization performance and auditory working memory in early- and late-trained musicians

机译:早期和晚期训练的音乐家的节奏同步表现和听觉工作记忆

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Behavioural and neuroimaging studies provide evidence for a possible “sensitive” period in childhood development during which musical training results in long-lasting changes in brain structure and auditory and motor performance. Previous work from our laboratory has shown that adult musicians who begin training before the age of 7 (early-trained; ET) perform better on a visuomotor task than those who begin after the age of 7 (late-trained; LT), even when matched on total years of musical training and experience. Two questions were raised regarding the findings from this experiment. First, would this group performance difference be observed using a more familiar, musically relevant task such as auditory rhythms? Second, would cognitive abilities mediate this difference in task performance? To address these questions, ET and LT musicians, matched on years of musical training, hours of current practice and experience, were tested on an auditory rhythm synchronization task. The task consisted of six woodblock rhythms of varying levels of metrical complexity. In addition, participants were tested on cognitive subtests measuring vocabulary, working memory and pattern recognition. The two groups of musicians differed in their performance of the rhythm task, such that the ET musicians were better at reproducing the temporal structure of the rhythms. There were no group differences on the cognitive measures. Interestingly, across both groups, individual task performance correlated with auditory working memory abilities and years of formal training. These results support the idea of a sensitive period during the early years of childhood for developing sensorimotor synchronization abilities via musical training.
机译:行为和神经影像学研究为儿童发展的可能“敏感”时期提供了证据,在此期间音乐训练会导致大脑结构以及听觉和运动表现的长期变化。我们实验室以前的工作表明,在7岁之前开始训练的早期成年音乐家(早期训练; ET)比在7岁以后开始训练的成年音乐家(早期训练; LT)表现更好。在音乐培训和经验总年数上相称。关于该实验的发现提出了两个问题。首先,是否可以通过使用更熟悉的,与音乐相关的任务(如听觉节奏)来观察这种小组表演的差异?其次,认知能力是否会介导任务绩效的这种差异?为了解决这些问题,在听觉节奏同步任务上对ET和LT音乐家进行了多年音乐培训,数小时的当前实践和经验相匹配的测试。任务包括六个不同程度的度量复杂性的木版节奏。此外,还对参与者进行了词汇量,工作记忆和模式识别的认知子测验。两组音乐家在节奏任务上的表现各不相同,因此ET音乐家在再现节奏的时间结构方面表现得更好。认知措施上没有群体差异。有趣的是,在两个小组中,个人的任务表现都与听觉工作记忆能力和多年的正规培训相关。这些结果支持了在儿童早期通过音乐训练发展感觉运动同步能力的敏感时期的想法。

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