Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making

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  《Early Music》 |2007年第4期|575-604|共30页
• 作者

  John Koster;

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  John Koster received the A.B. cum laude in Music from Harvard College in 1971 and was for many years a professional harpsichord maker in the Boston area. After holding an Andrew W. Mellon Senior Fellowship at The Metropolitan Museum of Art in New York in 1990–91 he assumed his present position as Professor of Music and Conservator at the National Music Museum The University of South Dakota. His book Keyboard musical instruments in the Museum of Fine Arts Boston (1994) the first comprehensive catalogue of its kind in English was awarded the Bessaraboff Prize of the American Musical Instrument Society and his numerous articles have appeared in the Galpin Society Journal Musique–Images–Instruments and other leading organological publications. John.Koster{at}usd.edu;

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• 正文语种 eng
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• 入库时间 2022-08-18 01:14:48