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Rating the Acting Moment: Exploring Characteristics for Realistic Portrayal of Characters

机译:评定代理时刻:探索特质的人物描写

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Good actors appear to become their characters, making them come alive, as if they were real. Is this because they have succeeded in merging themselves with their character? Are there any positive or negative psychological effects of this experience? We examined the role of three characteristics that may make this kind of merging possible: dissociation, flow, and empathy. We also examined the relation of these characteristics to acting quality. Acting students (n = 44) and non-acting students (n = 43) completed a dissociation measure, and then performed a monologue that was recorded and rated on dimensions of acting. Participants were then reassessed on dissociation to determine whether it increased as a function of performance. They were also then assessed on flow and empathy. Actors did not differ from non-actors on dissociation, but did score significantly higher than non-actors on some flow and empathy subscales, indicating a positive psychological experience and outcome. While non-actors’ dissociation marginally increased post-performance, actors’ dissociation rose significantly, which could indicate a negative psychological experience. Surprisingly, acting ratings were unrelated to levels of dissociation, flow, or empathy. We conclude that, while these are tools used by actors to immerse themselves fully in their characters, they may not be necessary to create the illusion of an imaginary character come to life on stage.
机译:好演员似乎成为他们的角色,让他们活着,好像他们是真实的。这是因为他们成功地与他们的性格合并了吗?这种经历是否存在正面或负面的心理效果?我们研究了三种特征的作用,可能会使这种合并成为可能:解离,流动和同理性。我们还审查了这些特征对代理质量的关系。表演学生(n = 44)和非代理学生(n = 43)完成了解离措施,然后进行了一种记录和额定作用的单声道。然后,参与者重新分解,以确定它是否随着性能的函数而增加。然后,它们也被评估为流动和同理心。演员与非演员在解离的情况下没有差异,但在一些流动和同情分量上,得分明显高于非演员,表明了积极的心理经验和结果。虽然非演员的解离绩效后略微增加,但演员的解离显着上升,这可能表明了负面的心理经验。令人惊讶的是,作用评级与解离,流动或移情水平无关。我们得出结论,虽然这些是演员使用的工具来充分地沉浸在他们的角色中,但可能没有必要创造一个想象的角色的幻觉在舞台上生命。

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