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Art, Human Condition and Beyond …

机译:艺术,人体状况和超越......

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Philosophers of different ages have made rigorous attempts to define art aiming to establish a set of characteristics applicable to all kinds of fine arts. However to point a definite meaning of art is elusive task. Similarly the question whether art can be didactic to provide knowledge, or insight is as old as philosophy itself. Art can be appreciated, enjoyed and loved for the powerful emotional values it reflects to the beholders. The production of art deals with creativity, imagination and innate ability of an artist. Art evolves from the culture that inspires artistic expression and art is born from the inner necessity of the artist. To determine the coherent ontological status of works of art has been a problematic issue despite the consistent philosophical practices. The metaphysical categorization of art as “the imaginary experience of the total activity" of the artist recreated by competent viewer is not all inclusive perception of art. The more liberal outlook of art as abstract cultural entities that are created at certain time through human activities seems convincing and relevant.
机译:不同年龄段的哲学家已经严谨试图定义旨在建立适用于各种美术艺术的一套特征的艺术。然而,要指出艺术的明确含义是难以捉摸的任务。类似地,艺术是如何教学,以提供知识的问题,或者洞察力与哲学一样古老。可以欣赏艺术,享受,享受强大的情感价值观,它反映给旁观者。艺术制作涉及艺术家的创造力,想象力和先天能力。艺术从激发艺术表达和艺术的文化中发展,艺术诞生于艺术家的内在必需品。为了确定艺术品的连贯的本体地位,尽管良好的哲学做法,但仍然是一个有问题的问题。艺术的形而上学分类为主管观众重新创建的艺术家的“全部活动的想象经验”并不是全包艺术的看法。作为在某些时候通过人类活动在某些时候创造的抽象文化实体的自由般的艺术观点似乎令人信服和相关。

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