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Identitas Budaya Masyarakat Kota: Teater Tradisi di Kota Surabaya Pada Awal Abad XX

机译:城市社区的文化身份:XX世纪初泗水市的剧院传统

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This study examines why does Ludruk represent the cultural identity of the people of Surabaya? How does society appreciate the traditional theater, especially in Ludruk in their daily practice? The purpose of this article explains the historical reality of Ludruk art that serves as entertainment and cultural identity. This article using the historical method by relying on historical sources. The result shows that theater traditions that existed and famous in Surabaya at the beginning of the 20th century were Comedy Stambul, Wayang Wong, and Ludruk, then appeared Ketoprak in the late 1930s. The appearance of this theater has been adapted to the tastes of the support community. Comedy Stambul is a theater that originated in India, then spread to Southeast Asia. Comedy Stambul is considered as a hybrid art because it comes from a blend of local cultural elements, while Wayang Wong, Ludruk, and Ketoprak an original art derived from customs and local values. Theater that represents the cultural identity of the people of Surabaya is Ludruk.
机译:这项研究审查了为什么Ludruk代表泗水人民的文化身份?社会如何欣赏传统剧院,特别是在日常练习中的Ludruk?本文的目的阐述了Ludruk艺术的历史现实,作为娱乐和文化身份。本文通过依靠历史来源来使用历史方法。结果表明,在20世纪初,在泗水存在和着名的剧院传统是喜剧演员,瓦松Wong和Ludruk,然后在20世纪30年代后期出现了Ketoprak。这场剧院的外观适应了支持界的口味。喜剧Stambul是一个源于印度的剧院,然后蔓延到东南亚。喜剧Stambul被认为是一个混合艺术,因为它来自当地文化元素的混合,而Wayang Wong,Ludruk和Ketoprak是来自海关和地方价值的原始艺术。代表泗水人民的文化身份的剧院是Ludruk。

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