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Body sway reflects joint emotional expression in music ensemble performance

机译:身体摇摆反映了音乐合奏表演中的共同情感表达

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Joint action is essential in daily life, as humans often must coordinate with others to accomplish shared goals. Previous studies have mainly focused on sensorimotor aspects of joint action, with measurements reflecting event-to-event precision of interpersonal sensorimotor coordination (e.g., tapping). However, while emotional factors are often closely tied to joint actions, they are rarely studied, as event-to-event measurements are insufficient to capture higher-order aspects of joint action such as emotional expression. To quantify joint emotional expression, we used motion capture to simultaneously measure the body sway of each musician in a trio (piano, violin, cello) during performances. Excerpts were performed with or without emotional expression. Granger causality was used to analyze body sway movement time series amongst musicians, which reflects information flow. Results showed that the total Granger-coupling of body sway in the ensemble was higher when performing pieces with emotional expression than without. Granger-coupling?further correlated with the emotional intensity as rated by both the ensemble members themselves and by musician judges, based on the audio recordings alone. Together, our findings suggest that Granger-coupling of co-actors' body sways reflects joint emotional expression in a music ensemble, and thus provide a novel approach to studying joint emotional expression.
机译:共同行动在日常生活中至关重要,因为人类通常必须与他人协调才能实现共同的目标。以前的研究主要集中在关节动作的感觉运动方面,其测量结果反映了人际感觉运动协调(例如敲击)的事件间精度。但是,尽管情感因素通常与关节动作紧密相关,但很少进行研究,因为事件间的测量不足以捕获关节动作的更高阶方面,例如情感表达。为了量化关节的情感表达,我们在表演过程中使用动作捕捉来同时测量三重奏(钢琴,小提琴,大提琴)中每个音乐家的身体摆幅。在有或没有情感表达的情况下进行节选。格兰杰因果关系用于分析音乐家之间的摇摆运动时间序列,反映了信息流。结果表明,在演奏带有情感表达的乐曲时,合奏中人体摇摆的总Granger耦合要比没有舞曲时高。格兰杰耦合进一步与情感强度相关联,这是由乐团成员本人和音乐家评判的,仅基于音频记录而定。总之,我们的发现表明,演员的身体的Granger耦合摇摆反映了音乐合奏中的联合情感表达,因此提供了一种研究联合情感表达的新颖方法。

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