首页> 外文期刊>Frontiers in Psychology >Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance
【24h】

Simulating and stimulating performance: introducing distributed simulation to enhance musical learning and performance

机译:模拟和刺激演奏:引入分布式模拟以增强音乐学习和演奏

获取原文
           

摘要

Musicians typically rehearse far away from their audiences and in practice rooms that differ significantly from the concert venues in which they aspire to perform. Due to the high costs and inaccessibility of such venues, much current international music training lacks repeated exposure to realistic performance situations, with students learning all too late (or not at all) how to manage performance stress and the demands of their audiences. Virtual environments have been shown to be an effective training tool in the fields of medicine and sport, offering practitioners access to real-life performance scenarios but with lower risk of negative evaluation and outcomes. The aim of this research was to design and test the efficacy of simulated performance environments in which conditions of “real” performance could be recreated. Advanced violin students (n = 11) were recruited to perform in two simulations: a solo recital with a small virtual audience and an audition situation with three “expert” virtual judges. Each simulation contained back-stage and on-stage areas, life-sized interactive virtual observers, and pre- and post-performance protocols designed to match those found at leading international performance venues. Participants completed a questionnaire on their experiences of using the simulations. Results show that both simulated environments offered realistic experience of performance contexts and were rated particularly useful for developing performance skills. For a subset of 7 violinists, state anxiety and electrocardiographic data were collected during the simulated audition and an actual audition with real judges. Results display comparable levels of reported state anxiety and patterns of heart rate variability in both situations, suggesting that responses to the simulated audition closely approximate those of a real audition. The findings are discussed in relation to their implications, both generalizable and individual-specific, for performance training.
机译:音乐家通常在远离听众的地方进行排练,并且在与他们渴望表演的音乐会场所有很大不同的练习室中进行排练。由于此类场所的高昂成本和交通不便,许多当前的国际音乐培训都缺乏对现实表演情况的反复接触,而学生学习(或根本不了解)如何处理表演压力和听众需求的时间太晚了。虚拟环境已被证明是医学和体育领域的有效培训工具,可为从业人员提供现实生活中的绩效情景,但负面评估和结果的风险较低。这项研究的目的是设计和测试可以重新创建“真实”性能条件的模拟性能环境的功效。招募了高级小提琴学生(n = 11)来进行两种模拟:具有少量虚拟听众的独奏演奏和具有三名“专家”虚拟法官的试听情况。每个模拟都包含后台和舞台上的区域,真人大小的交互式虚拟观察员,以及旨在与国际领先表演场所所发现的表演相匹配的表演前和表演后协议。参与者完成了关于使用模拟的经验的调查表。结果表明,这两种模拟环境都可以提供实际的绩效环境体验,并且对开发绩效技能特别有用。对于7名小提琴家的子集,在模拟试听和实际试听时,都收集了状态焦虑和心电图数据。结果显示两种情况下报告的状态焦虑和心率变异性的水平相当,这表明对模拟试听的响应非常接近真实试听的响应。讨论了研究结果及其对绩效培训的影响,包括其普遍性和针对个人的意义。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号