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The Body as a Site for Becoming in Ghassan Kanafani’s All That’s Left to You

机译:身体成为加桑·卡纳法​​尼(Ghassan Kanafani)遗留给您的一切之地

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Ghassan Kanafani’s novella All That’s Left To You (1966) attempts to alter the perception of the refugee camp from a prison to a bridge, opening literary possibilities for the politicised subject to move from death zones into becoming as characters try to delimit the regulated bodies by crossing the borders of the refugee camp. The language of Kanafani’s texts is reflexive of the state of territorial siege. The narrative in All That’s Left To You leads to a point of dispersal towards the end of the novella, indicating a new promise of what Giorgio Agamben calls the ‘coming community’ (1993).
机译:加桑·卡纳法​​尼(Ghassan Kanafani)的中篇小说(AllThat's Left To You)(1966)试图将难民营的观念从监狱变成桥梁,为政治化的主体从死亡地带转变为成为文学角色提供了可能性,因为角色试图通过这种方式划定受管制的身体越过难民营的边界。卡纳法尼(Kanafani)文字的语言反映了领土的包围状态。 《一切都留给你》中的叙述指向中篇小说的结尾,这表明了乔治·阿甘本(Giorgio Agamben)所说的“即将来临的社区”(1993)的新希望。

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