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Revisiting Japan’s Fictional Gardens: An Ecocritical Reading of Nature Imagery in Contemporary Architectural Essays

机译:重访日本的虚构花园:当代建筑散文对自然意象的生态批判性解读

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This paper inspects editorial production in the field of Japanese contemporary architecture, screening the contents of essays written during the last decade (2007–2010) by four selected authors in which a recurring interplay with nature-related subjects is noticeable. This analysis highlights the diversity and intrinsic individual originality of these books by relating their specific approach with the overall work themes of each architect and discussing the existence of a common ground among them. While investigating their philosophical and conceptual standpoints, the paper also attempts to contextualize these discourses both within the larger context of architectural theory—particularly of early postmodern ecological approaches—sustainable construction, and in the milieu of Japan, where an imprinted notion of harmonious coexistence between nature and culture has long been mystified from abroad and from within. By assessing its motives and influence and finally questioning the existence of a paradox amidst the multiple existing forms of paraenvironmental architecture, it is discussed whether these narratives and practices manage to communicate ecoliteracy with their audience. Architecture’s inherent traits as a visual, perceptive, and cognitive discipline to reflect contemporary environmental conflicts and encourage paradigm change are also highlighted.
机译:本文考察了日本当代建筑领域的社论作品,筛选了四位选定作者在过去十年(2007-2010年)中撰写的论文内容,这些论文与自然相关主题之间反复出现。通过将这些书的具体方法与每个建筑师的总体工作主题联系起来,并讨论其中的共同点,这一分析突出了这些书的多样性和内在的个人原创性。在研究他们的哲学和概念立场时,本文还尝试在建筑理论的更大背景下(尤其是在后现代生态学方法的基础上),可持续建筑以及在日本的环境中将这些论述进行语境化,在日本的环境中,两者之间存在着和谐共存的烙印。长期以来,来自国外和内部的自然和文化神秘化。通过评估其动机和影响力并最终质疑在多种现有形式的超环境建筑中是否存在悖论,讨论了这些叙述和实践是否能够与受众交流生态素养。还强调了建筑的固有特征,即视觉,感知和认知学科,以反映当代环境冲突并鼓励范式变化。

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