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“Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease

机译:“我们的自我毁灭”:克里斯蒂娜·罗塞蒂(Christina Rossetti)的格雷夫斯病的文学表达和躯体表达

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Victorian poet Christina Rossetti (1830–1894) was frequently troubled by poor health, and her mid-life episode of life-threatening illness (1870–1872) when she suffered from Graves’ disease provides an illuminating case study of the ways that illness can be reflected in poetry and prose. Rossetti, her family, and her doctors understood Graves’ disease as a heart condition; however, Rossetti’s writing reflects a different paradigm, presenting themes of self-attack and a divided self that uncannily parallel the modern understanding of Graves’ disease as autoimmune in nature. Interestingly, these creative representations reflect an understanding of this disease process that Rossetti family documents and the history of Victorian medicine demonstrate Rossetti could not have been aware of. When the crisis had passed, Rossetti’s writing began to include new rhetoric and imagery of self-acceptance and of suffering as a means of spiritual improvement. This essay explores the parallels between literary and somatic metaphors: Rossetti’s body and art are often simultaneously “saying” the same thing, the physical symptoms expressing somatically the same dynamic that is expressed in metaphor and narrative in Rossetti’s creative writing. Such a well-documented case history raises questions about how writing may be shaped by paradigms of illness that are not accessible to the conscious mind.
机译:维多利亚时代的诗人克里斯蒂娜·罗塞蒂(Christina Rossetti,1830–1894年)经常因身体状况不佳而烦恼,而她的中年生命危及生命的疾病(1870–1872年)当她患有格雷夫斯病时,提供了具有启发性的案例研究反映在诗歌和散文中。罗塞蒂(Rossetti),她的家人和她的医生都将格雷夫斯病理解为心脏病。然而,罗塞蒂的著作反映了不同的范式,提出了自我攻击和分裂的自我的主题,这与现代对格雷夫斯疾病的本质是自然免疫的理解毫无二致。有趣的是,这些创造性的表现反映了对罗塞蒂家族文献和维多利亚时代医学史证明罗塞蒂无法意识到的这种疾病过程的理解。危机过去后,罗塞蒂的著作开始包含新的修辞和自我接受和苦难的意象,作为精神改善的一种手段。本文探讨了文学隐喻与躯体隐喻之间的相似之处:罗塞蒂的身体和艺术常常同时“说”同一件事,其物理症状在躯体上表达的动态与罗塞蒂在创作中的隐喻和叙事相同。如此有据可查的案例历史引发了有关意识形态无法理解的疾病范例如何影响写作的问题。

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