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‘A Pause for Po-Ethics’: Seamus Heaney and the Ethics of Aesthetics

机译:“为Po伦理学暂停”:Seamus Heaney与美学伦理学

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In this paper, I examine the connections between ethics and aesthetics in the writing of Seamus Heaney. Looking at Heaney’s neologism of ‘po-ethics’, I move through his poetry and especially his translation of Sophocles’ Philoctetes , entitled The Cure at Troy , and focus on his Fourth Irish Human Rights Commission Annual Human Rights Lecture: Writer & Righter , wherein he traces a number of strong connections between human rights workers and creative writers. The essay is written through a theoretical matrix of the ethical theories of Jacques Derrida, Emmanuel Levinas and Simon Critchley. It looks at poems from Heaney himself, as well as work from Shakespeare, Dante Alighieri, Czeslaw Mi?osz, and Primo Levi. It focuses on poetic language as a discourse that can act as a counterweight and as a form of redress on behalf of the dignity of the individual human being against the pressures of mass culture and society.
机译:在本文中,我研究了Seamus Heaney著作中的伦理学与美学之间的联系。回顾希尼(Heaney)的“伦理学”新词,我回顾了他的诗作,尤其是他翻译了Sophocles的Philoctetes(题为《特洛伊的治愈》),并着重讨论了他的第四次爱尔兰人权委员会年度人权演讲:作家与权利,其中他追溯了人权工作者和创意作家之间的许多紧密联系。本文是通过雅克·德里达,伊曼纽尔·列维纳斯和西蒙·克里奇利的伦理理论的理论矩阵编写的。它看了希尼本人的诗,以及莎士比亚,但丁·阿利吉耶里,切斯瓦夫·米奥什和普里莫·列维的作品。它着重于诗歌语言作为一种话语,可以作为一种对立,并作为一种代表个人抵抗大众文化和社会压力的尊严的补救方式。

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