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“Time is Production”: Process-Art, and Aesthetic Time in Paul Vale?ry’s Cahiers

机译:“时间就是生产”:Paul Vale?ry的Cahiers中的工艺美术和审美时间

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This paper offers a contextually inflected discussion of the extensive investment Paul Vale?ry makes in going beyond formal understandings of time. To this end it takes the processual work Cahiers as both a repository of insights, and a practical motor of conceptual creation for new time concepts through its very writing and production. In a speculative engagement with Vale?rian concepts such as phase, prolongation as well as reconfigured relations between central categorical pairings such as quality-quantity and succession-simultaneity, the paper situates Vale?ry’s writings on time with regard to their ambiguously critical attitude to a given image of philosophy as a form of verbal exercise ungrounded in empirical observation of local systems.
机译:本文对保罗·瓦莱里(Paul Valery)在超越对时间的正式理解上所做的大量投资进行了上下文相关的讨论。为此,Cahiers将过程性工作既作为见解的仓库,又通过其写作和制作来为新时代概念进行实用的概念创作。在与Vale?rian概念(例如相位,延长)以及中心类别对之间的重新配置关系(例如质量-数量和继承-同时性)进行投机性互动时,论文将Vale?ry的写作及时地置于对他们的模糊批评态度上哲学的一种既定形象,是对当地系统进行实证观察所没有的言语锻炼形式。

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