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Working Stiff(s) on Reality Television during the Great Recession

机译:经济大萧条期间在现实电视上的工作努力

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This essay traces some of the narratives and cultural politics of work on reality television after the economic crash of 2008. Specifically, it discusses the emergence of paid labor shows like Ax Men, Black Gold and Coal and a resurgent interest in working bodies at a time when the working class in the US seems all but consigned to the dustbin of history. As an implicit response to the crisis of masculinity during the Great Recession these programs present an imagined revival of manliness through the valorization of muscle work, which can be read in dialectical ways that pivot around the white male body in peril. In Ax Men, Black Gold and Coal, we find not only the return of labor but, moreover, the re-embodiment of value as loggers, roughnecks and miners risk both life and limb to reach company quotas. Paid labor shows, in other words, present a complicated popular pedagogy of late capitalism and the body, one that relies on anachronistic narratives of white masculinity in the workplace to provide an acute critique of expendability of the body and the hardships of physical labor.
机译:本文追溯了2008年经济危机后真人秀电视上的一些叙事和文化政治。特别是,它讨论了诸如Ax Men,Black Gold和Coal之类的有偿劳动节目的出现,以及对工作机构的重新兴起的兴趣。当美国的工人阶级似乎几乎都沦为历史的垃圾箱时。这些计划作为对大萧条期间男性气概危机的隐性回应,通过肌肉工作的增值呈现出男子气概的想象中的复兴,这可以通过辩证法来解读,即围绕危险中的白人男性身体旋转。在《斧头人》,《黑金》和《煤炭》中,我们不仅发现了劳动的回报,而且还发现了价值的重新体现,因为伐木工人,高架工人和矿工冒着生命和生命危险来达到公司配额。换句话说,有偿劳动表明了晚期资本主义和身体的一种复杂的流行教育学,这种教育学依赖于工作场所中白人男性气概的过时叙事,从而对身体的消耗性和体力劳动的状况提出了尖锐的批评。

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