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Model of Narrative Nowness for Neurocinematic Experiments

机译:神经电影实验的叙事性模型

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Cognitive neurosciences have made significant progress in learning about brain activity in situated cognition, thanks to adopting stimuli that simulate immersion in naturalistic conditions instead of isolated artificial stimuli. In particular, the use of films in neuroscientific experiments, a paradigm often referred to as "neurocinematics", has contributed to this success. The use of cinematic stimuli, however, has also revealed a fundamental shortcoming of neuroimaging studies: The lack of conceptual and methodological means to handle the viewers' experience of narrative events in their temporally extended contexts in the scale of full cinematic narrative, not to mention life itself. In order to give a conceptual structure to the issue of temporal contexts, we depart from the "neurophenomenological" approach to time consciousness by neurobiologist Francisco Varela, which in turn builds on Husserl's phenomenology of time. More specifically, we will discuss the experience of narrative tension, determined by backward-looking conceptualizing retention, and forward-looking anticipatory protention. Further, this conceptual structure is built into a preliminary mathematical model, simulating the dynamics of decaying and refreshing memory traces that aggregates a "retentive" perspective for each moment of nowness, which in turn may trigger anticipations for coming events, in terms of Varela and Husserl, protentions. The present tentative mathematical model is constructed using simple placeholder functions, with the intention that they would eventually be replaced by models based on empirical observations on the psychological capabilities that support narrative sensemaking. The final goal is a model that successfully simulates the way how the memory system maintains narrative tension beyond the transient nowness window, and thereby allows mappings to observed brain activity with a rich temporal system of narrative contexts.
机译:认知神经科学在学习关于位于位置的认知中的大脑活动方面取得了重大进展,这要归功于采用模拟沉浸在自然条件下的刺激而不是孤立的人工刺激。尤其是,在神经科学实验中使用胶片(一种通常被称为“神经运动学”的范例)为这一成功做出了贡献。然而,电影刺激的使用也揭示了神经影像学研究的一个根本缺陷:缺乏概念和方法来处理观众在其时间范围内的叙事事件在整个电影叙事范围内的叙事事件体验,更不用说了生活本身。为了给时间语境问题提供一个概念上的结构,我们偏离了神经生物学家弗朗西斯科·瓦雷拉(Francisco Varela)对时间意识的“神经现象学”方法,后者反过来建立在胡塞尔的时间现象学上。更具体地说,我们将讨论叙事紧张的经历,这种经历是由前瞻性概念化保留和前瞻性预期倾向决定的。此外,此概念结构已内置到初步的数学模型中,该模型模拟了衰减和刷新的内存迹线的动态变化,这些迹线为当下每个时刻聚合了“保持性”观点,进而可能引发对即将发生的事件的预期,例如Varela和胡塞尔,专横。本暂定数学模型是使用简单的占位符函数构建的,其目的是最终将基于对支持叙事意义的心理能力进行实证观察的模型来替换它们。最终目标是一个模型,该模型可以成功地模拟记忆系统如何在瞬态瞬间窗口之外保持叙事张力,从而允许通过丰富的叙事语境时间系统映射到观察到的大脑活动。

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