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A socially committed literary work: perspectives on Elliot Zondi's Insumansumane

机译:社会承诺的文学作品:艾略特·宗迪的《 Insumansumane》观点

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In this article Elliot Zondi's historical drama, “Insumansumane”, is discussed as a committed literary work. The main character, Bhambada, urges his contemporaries to challenge the ideological domination of the apartheid system and to fight for their freedom to the last man, if necessary. According to Elliot Zondi, the 1906 Bhambada Rebellion was caused by a lack of consultation and utter disregard for the feelings of the African majority regarding taxation. The rebellion was also caused by the forceful introduction of Western culture and social values. The play in itself is actually a metaphor for the Zulu people living in the 1980s under the iron rule of President P.W. Botha. In this play the Zulu are urged to live up to the freedom ideals for which their forefathers had been ready to fight and to die. The development of the plot in the play emphasises that the “winds of change” at that time were becoming stronger, causing the undercurrent that was to bring about liberation in 1992 and in 1994.
机译:在本文中,埃利奥特·宗迪(Elliot Zondi)的历史戏剧“ Insumansumane”被讨论为一项坚定的文学作品。主角班巴达(Bhambada)敦促他的同时代人挑战种族隔离制度的意识形态统治,并在必要时争取他们对最后一个人的自由。根据埃利奥特·宗迪(Elliot Zondi)的说法,1906年的班巴达叛乱是由于缺乏协商而完全无视非洲多数人对税收的感受。叛乱也是由于强行引入西方文化和社会价值观引起的。这部戏本身实际上是对在总统普世统治下生活在1980年代的祖鲁人的隐喻。博塔在这部戏中,祖鲁人被敦促履行其祖先为之奋斗和牺牲的自由理想。剧中剧情的发展强调,当时的“变革之风”正在增强,造成了暗流,该暗流在1992年和1994年实现了解放。

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