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Cinema-Experiência e Educa??o: por uma escrita imagética na docência

机译:电影体验与教育:用于教学中的图像写作

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This paper aims to rehearse through research affections, as the work with cinema can present or manifest the ways in which we subjectivate and constitute itself as a possibility of writing and self-narrative in education. To do so, we start with a cartographic approach, which branches texts and entries to the themes studied here. We then gathered the reflections built from a State of the Art on the subject, as well as Narrative Interviews with four moviegoers, the semi-structured interviews with three teachers of different stages of teaching and the reports of two film workshops for young people from the peripheries of Recife-PE. These corpora constitute empirical material that supports our theoretical reflections about how we understand Cinema and Education and how we coined the concept of "Cine-Experience". We point out, as results, the mapping of Cine-Education productions among "teacher training", "didactics" and "aesthetic experience". We reflected on the relationship between Education, Writing and Self-Narrative. Finally, we coined the concept of Cine-Experience and its openings to other narratives in Education.
机译:本文旨在通过研究情感来进行演练,因为与电影一起工作可以展示或体现我们进行主观思考的方式,并将其自身构成为写作和自我叙事的可能性。为此,我们从制图方法开始,该方法将文本和条目分支到此处研究的主题。然后,我们收集了有关该主题的最新技术水平的反思,以及对四位电影爱好者的叙事访谈,对三位不同教学阶段的老师进行的半结构化访谈,以及两次针对年轻人的电影研讨会的报告。累西腓体育的外围。这些语料库构成了经验材料,支持了我们对如何理解电影和教育以及我们如何创造“电影体验”概念的理论思考。作为结果,我们指出了电影教育产品在“教师培训”,“教学方法”和“审美经验”之间的映射。我们反思了教育,写作和自我叙事之间的关系。最后,我们创造了电影体验的概念,并将其引入教育的其他叙述中。

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