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Patterns of Intersemiotic Cohesion in the Moving Image Text

机译:运动图像文本中的符号间衔接模式

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This paper investigates intersemiotic cohesion in the moving image text popularly known as film discourse. The investigation aimed at identifying the interaction pattern of visual verbal strands in an unfolding text of selected video films. The corpus of the study consists of six movie pictures and corresponding excerpts of conversation(s) from selected film scripts. Baumgarten (2008) theory of visual verbal cohesion and Ngamsa (2012) methodological consideration were adopted for the annotation and matching of deictic devices as both explicit-- invitro and implicit--invivo . The findings of the paper therefore show that interaction of visual and verbal semiotic strands is always achieved at the point of convergence and at the instance of reference items, pronouns, adjectives and other extra linguistic features—signs and existents. The study finally recommends that film directors, screenplay writers and text linguists should explore the use of intersemiotic cohesive devices for explication of the moving image text.
机译:本文研究了运动图像文本(通常称为电影话语)中的符号间衔接。该调查旨在确定所选视频电影的展开文字中视觉言语线的相互作用方式。研究的语料库由六幅电影图片和选定电影脚本中相应的谈话摘录组成。鲍姆加滕(Baumgarten(2008)的视觉言语衔接理论和Ngamsa(2012)的方法学考虑被用于对指示装置的注释和匹配,包括显性的-体内的和隐性的-体内的。因此,本文的研究结果表明,视觉和言语符号链的相互作用总是在融合点以及参考项,代词,形容词和其他额外的语言特征(符号和存在物)的实例中实现的。该研究最终建议电影导演,编剧作家和文字语言学家应探索使用符号间衔接装置来阐释运动图像文字。

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