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Between mind and mathematics. Different kinds of computational representations of music

机译:在思维与数学之间。音乐的各种计算表示

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In this article we analyse different types of representation of music, both from a cognitive and a computational point of view. Whereas mental representations of music are the objects of the musical mind, and are therefore by definition a matter of cognitive psychology and philosophy, it can be argued that also mathematical representations of music have some cognitive correlates enabling the understanding of non-tonal music. Amongst the many typologies of mathematical representations of music, we will analyse in details some examples belonging to the transformational paradigm, which is a formalized subfield of computational musicology coming from the American set-theoretical tradition. Transformational music analysis also opens new questions about the cognitive and philosophical ramifications of algebraic and category-theory approaches in music theory, analysis and composition.
机译:在本文中,我们从认知和计算角度分析音乐的不同表示形式。音乐的心理表征是音乐思维的对象,因此从定义上讲是认知心理学和哲学的问题,可以说,音乐的数学表征也具有一定的认知关联,可以理解非调性音乐。在音乐的数学表示形式的许多类型中,我们将详细分析一些属于转换范式的示例,该范式是来自美国集合论传统的计算音乐学的形式化子领域。变换音乐分析还提出了有关音乐理论,分析和作曲中的代数和范畴论方法的认知和哲学影响的新问题。

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