...
首页> 外文期刊>International Affairs and Global Strategy >Art -Based Approaches and Identity from War-Making to Peace-Making: Exploring the Ethiopian-Eritrean Experience
【24h】

Art -Based Approaches and Identity from War-Making to Peace-Making: Exploring the Ethiopian-Eritrean Experience

机译:从战争到和平的基于艺术的方法和身份:探索埃塞俄比亚-厄立特里亚的经验

获取原文
           

摘要

Presiding on theoretical and empirical explorations, this paper views the Ethio-Eritrean scenario as a “demarcation between Romeo and Juliet” and examines it in retrospect and prospects. Art-base approaches such as music and identity bridges humanity both for conflict and peace. This paper analyzes the scenarios of art and identity for war and peace including within historic core Ethiopia and the Ethio-Eritrean ill-fated relations since the secession of Eritrea in 1993. Historic core Ethiopia has passed and inherited rooted anomalies. In the pre-1990s, the assimilation policy project under and into single dominant ethnic group, i.e., the Amhara language, culture and the Orthodox Christianity, disregarding about 85 languages and identity groups, gave birth to ethnic resentment, hostility and formations of radical groups contemplating national questions and seeking for radical changes. Fueled by the intelligentsia, the Ethiopian Students Movements, the national-wide discontents burst-out to ethnic armed liberation movements with converging and diverging motives. This ended up in secession of Eritrea in 1993 and the surgery of Ethiopia into an ethno-linguistic based federal state in 1991. Ever since and up to the existing “no war no peace” Ethio-Eritrean stalemate situation, art and identity has been used and abused for humiliation and war mobilization which was and is constructs of the political elites. Today, in a clear contrast, art and identity has continued to neutralize, resurrect and entrench fraternity within the federal democratic Ethiopia since 1991 and towards Eritrea even sometimes during war and stalemate period. The paper concludes that art and identity is a double edged sword for peace and conflict as well, presenting windows of opportunity for conflict transformation at hand yet requiring honest political commitments by the elites and by peace actors and practitioners including from below. Such creativity transcends rethinking the status quo separation into sorts of recognition, acceptance, empathy, and a route to confederal political marriage that sets out their common problem.
机译:在理论和经验探索的基础上,本文将埃塞俄比亚的情况视为“罗密欧与朱丽叶之间的分界”,并进行了回顾和展望。音乐和身份等以艺术为基础的方法为冲突与和平奠定了人类的桥梁。本文分析了战争与和平的艺术和身份场景,包括埃塞俄比亚历史悠久的核心地区以及自1993年厄立特里亚解体以来埃塞俄比亚厄运关系的命运。埃塞俄比亚的历史核心已经通过并继承了根源。在1990年代之前,无视约85种语言和身份群体的阿姆哈拉语言,文化和东正教基督教在单一统治族群(即阿姆哈拉族语言,文化和东正教)的领导下进行了同化政策项目,由此产生了种族怨恨,敌意和激进群体的形成考虑民族问题并寻求根本的改变。在知识分子埃塞俄比亚学生运动的推动下,全国范围内的不满情绪激化了趋同和分歧的民族武装解放运动。最终在1993年厄立特里亚解体,并在1991年将埃塞俄比亚手术成一个基于民族语言的联邦国家。从那时起直到现在,“无战无安”埃塞俄比亚-埃塞俄比亚陷入僵局,使用了艺术和身份并因屈辱和动员战争而遭到滥用,而屈辱和战争动员曾经是政治精英的建设者。如今,形成鲜明对比的是,自1991年以来,艺术和身份就一直在联邦民主埃塞俄比亚内部以及在战争和僵持时期的厄立特里亚继续中立,复兴和巩固兄弟情谊。本文的结论是,艺术和身份认同对于和平与冲突也是一把双刃剑,为眼前冲突的转变提供了机会之窗,但需要精英以及包括下层人士在内的和平行动者和实践者作出诚实的政治承诺。这样的创造力超越了对现状分离的重新思考,变成了承认,接受,同情,以及通向联邦政治婚姻的途径,提出了他们的共同问题。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号