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The Expressive Forms of Natural Imagery in Chinese Poetry

机译:中国诗歌中自然意象的表现形式

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Lyric is a mainstream for Chinese ancient literature. Chinese sages have realized that the main emotion cannot be expressed truly and vividly only by simple language in Pre-Qin period. Moreover, language cannot express our thought completely, so we need to utilize specific images. “Image” in ancient poems has long remained at the level of “natural scenery”; everything rises and falls, so nothing fails to affect people’s feeling and inspiration. So this paper tries to illustrate the performance of natural images in Chinese poetry. The finding by analysis is that there are two main existing forms of images in poetry. One side is parallel existence, for example Parallel Existence of life Changes and social events; another side is contrast existence, such as contrast of four seasons and history. Papers will be mainly based on the argument from two aspects of parallel and contrast existence analysis.
机译:歌词是中国古代文学的主流。中国先贤们意识到,先秦时代的主要情感无法用简单的语言来真实,生动地表达。而且,语言不能完全表达我们的思想,因此我们需要利用特定的图像。古代诗歌中的“意象”长期保持在“自然风光”的水平;一切都有起有落,所以没有什么可以影响人们的感觉和灵感。因此,本文试图说明自然意象在中国诗歌中的表现。通过分析发现,诗歌中存在两种主要的图像形式。一方面是并行存在,例如生活变化和社会事件的并行存在。另一面是对比的存在,例如四个季节和历史的对比。论文将主要基于平行和对比存在性分析两个方面的论点。

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