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The Performance of Cultural Citizenship: Audiences and the Politics of Multicultural Television Drama

机译:文化公民的表演:观众与多元文化电视剧的政治

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Popular culture has been suggested as an important resource for the performance of cultural citizenship (Hermes, 2005; Morley, 2006). In this paper, we address this suggestion by investigating how multicultural television drama may be used to build connections and strengthen civic culture in multicultural societies. We base our argument on a large study of audience reactions to the provocative Dutch multicultural reality show WestSide (AT5, 2006) that was explicitly designed to foster intercultural understandings and tolerance. Results showed that most viewers deployed a limited set of repertoires to make sense of the show. In so doing, however, they sometimes touched on political issues. Within specific circumstances, this led to the performance of cultural citizenship. Our analysis suggests that emotional involvement in multicultural drama may lead to discussions of dilemmas surrounding the role of cultural difference in the everyday lives of viewers. Based on these findings, we define the performance of cultural citizenship as an “insurgent” practice which requires further mediation into other spheres of private and public life by policies or civic action to produce critical societal impact. Furthermore, we suggest that care must be taken not to conflate the “active viewer” with the “active citizen”—even though the two may be related in some circumstances.View full textDownload full textKeywordsmulticulturalism, soap, diversity, popular culture, audience studiesRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/15295030903550993
机译:大众文化被认为是实现文化公民身份的重要资源(Hermes,2005; Morley,2006)。在本文中,我们通过研究如何在多元文化社会中使用多元文化电视剧来建立联系和加强公民文化来解决这一建议。我们的论据是基于大量观众对挑衅性的荷兰多元文化现实节目WestSide(AT5,2006年)的反应而进行的,该节目旨在促进跨文化的理解和宽容。结果表明,大多数观众都使用了有限的曲目,以使节目更具意义。但是,这样做有时会涉及政治问题。在特定情况下,这导致了文化公民的表现。我们的分析表明,在多元文化戏剧中的情感介入可能导致围绕观众日常生活中文化差异的作用而陷入困境的讨论。基于这些发现,我们将文化公民身份定义为一种“叛乱”行为,需要通过政策或公民行动进一步调解到私人和公共生活的其他领域,以产生重要的社会影响。此外,我们建议即使在某些情况下两者可能相互关联,也应注意不要将“积极的观察者”与“积极的公民”混为一谈。查看全文下载全文关键字多元文化主义,肥皂,多样性,流行文化,受众研究相关的变量add add_id ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/15295030903550993

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