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Dress in a Postmodern Era: An Analysis of Aesthetic Expression and Motivation

机译:后现代时代的着装:审美表达与动机分析

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摘要

Aesthetic expression of dress was examined by interviewing 15 midwestern university students. The objective was to understand the style development process and the motivations for clothing selection. The responses of participants selecting clothing from a variety of purchasing locations were analyzed. The purchasing sources examined were vintage or used clothing stores, a variety of sources used by cross-shoppers, and mainstream or mass market locations. In-depth interviews were analyzed for content. Aesthetic themes or categories emerged that helped to define differences: event dressing, imaging gender, variety clothes versus signature clothes, apparel meanings, process of ensemble, and customization of clothing purchases. These categories were analyzed and compared with those identified in the literature and with postmodern characteristics outlined by Evans and Thornton (1989). Understanding individual motivations in aesthetic expression and sourcing locations will aid in the study of fashion change.
机译:通过采访15名中西部大学生来考察着装的审美表达。目的是了解样式发展过程和选择服装的动机。分析了参与者从不同购买地点选择服装的反应。检查的采购来源是老式或二手服装商店,交叉购物者使用的各种来源以及主流或大众市场位置。分析了深度访谈的内容。美学主题或类别的出现有助于定义差异:活动着装,性别成像,百搭衣服与招牌衣服,服装含义,合奏过程以及服装购买的定制。对这些类别进行了分析,并与文献中确定的类别进行比较,并与Evans和Thornton(1989)概述的后现代特征进行了比较。了解美学表达和采购地点的个人动机将有助于研究时尚变化。

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