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Affective Recommendation of Movies Based on Selected Connotative Features

机译:基于选定内涵特征的电影情感推荐

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The apparent difficulty in assessing emotions elicited by movies and the undeniable high variability in subjects' emotional responses to film content have been recently tackled by exploring film connotative properties: the set of shooting and editing conventions that help in transmitting meaning to the audience. Connotation provides an intermediate representation that exploits the objectivity of audiovisual descriptors to predict the subjective emotional reaction of single users. This is done without the need of registering users' physiological signals. It is not done by employing other people's highly variable emotional rates, but by relying on the intersubjectivity of connotative concepts and on the knowledge of user's reactions to similar stimuli. This paper extends previous work by extracting audiovisual and film grammar descriptors and, driven by users' rates on connotative properties, creates a shared framework where movie scenes are placed, compared, and recommended according to connotation. We evaluate the potential of the proposed system by asking users to assess the ability of connotation in suggesting film content able to target their affective requests.
机译:最近,通过探索电影的内涵属性,解决了评估电影所引起的情绪上的明显困难以及对象对电影内容的情感反应中不可否认的高可变性:一套有助于将含义传达给观众的拍摄和编辑惯例。内涵提供了一种中间表现形式,它利用视听描述符的客观性来预测单个用户的主观情感反应。无需注册用户的生理信号即可完成此操作。这不是通过使用其他人的高度可变的情绪来完成的,而是依靠内涵概念的主体间性以及用户对类似刺激的反应的知识。本文通过提取视听和电影语法描述符扩展了先前的工作,并在用户对内涵属性进行评估的基础上,创建了一个共享框架,在其中放置,比较和推荐电影场景。我们通过要求用户评估暗示能够针对他们的情感要求的电影内容的内涵能力,来评估所提出系统的潜力。

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