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Book review :The cinema of Russia and the Former Soviet Union

机译:书评:俄罗斯和前苏联的电​​影院

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'The Cinema of the Former Soviet Union', which was published in March, is published by Wallflower Press in their 'Twenty-Four Frames' series and is edited by Birgit Beumers. Beumers specialises in research on contemporary Russian culture, especially theatre and cinema. Twenty-Four Frames mean in this case, twenty-four chapters, dealing with filmmakers from the pre-revolutionary period to the present day. The book runs to 283 pages including an index, filmography and bibliography, listing reference books, cinema under Stalin, glasnost and perestroika, pre-revolutionary cinema etc. There are eighteen contributors covering the twenty-four filmmakers. Each chapter takes a look at a filmmaker and analyses one of their films. Sergei Badrov Sr wrote the preface, and there are twenty-four illustrations, each one before a new chapter. The use of a single black and white picture for each chapter produces a curiously 'dull' layout, with page after page of unbroken text, although there is plenty of white space between the lines.
机译:《前苏联电影院》于3月发行,由Wallflower Press出版,发行于《二十四帧》系列中,由Birgit Beumers编辑。 Beumers专门研究当代俄罗斯文化,尤其是戏剧和电影。在这种情况下,二十四帧意味着二十四章,涉及革命前时期到今天的电影摄制者。该书长达283页,包括索引,电影学和参考书目,列出参考书目,斯大林统治下的电影院,格拉斯诺斯特和佩雷斯特罗伊卡,革命前的电影院等。有十八位撰稿人涵盖了二十四位电影制片人。每章都会介绍一位制片人,并分析其中一部电影。 Sergei Badrov Sr撰写了序言,其中有二十四幅插图,每幅插图都出现在新的章节之前。每章使用一张黑白图片会产生一种奇怪的“暗淡”布局,一页又一页的不间断文本,尽管两行之间有很多空白。

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