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The Reality of Fiction and the Ethics of Storytelling in Eleanor Estes's The Witch Family

机译:埃莉诺·埃斯特斯的《巫婆家族》中的小说现实与讲故事伦​​理

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This essay examines Eleanor Estes's critically neglected 1960 novel The Witch Family, arguing that the novel anticipates some of the major preoccupations of later children’s literature in its early concern with issues of textuality. While Estes is largely known as a writer of simple family stories, The Witch Family is an innovative work of metafiction, which explicitly engages with a number of philosophical and literary-critical issues central to postmodern and poststructuralist discussion. Posing central and overt questions regarding the relationship between reality and fiction, the novel illustrates the contextual, communal, and relational aspects of language and finally suggests that the ability to tell stories ethically is tied to the recognition of one’s own contingent position within language.
机译:本文探讨了埃莉诺·埃斯特斯(Eleanor Estes)1960年被严重忽视的小说《巫婆家庭》,认为该小说预见了后来儿童文学的一些主要关注点,因为这与早期有关文本性的问题有关。埃斯蒂斯(Estes)在很大程度上是作为简单家庭故事的作家而著称的,而《巫婆家庭》(Witch Family)是超小说的创新作品,它明确涉及后现代和后结构主义讨论的核心哲学和文学批评问题。这部小说提出了关于现实与小说之间关系的中心和公开问题,阐明了语言的语境,公共和关系方面,并最终暗示了讲故事的能力与对自己在语言中的偶然地位的认识有关。

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