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Etc. Europe

机译:欧洲等

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In the early '90s, officials of the newly created European Monetary Institute, the predecessor to the European Central Bank, met to discuss what their new currency, the euro, would look like. They agreed that no one country's iconography should appear on the bills, since there were to be seven denominations-from €5 up to €500-and at least 12 member states. In the interest of fairness, the officials settled on generic monuments to adorn the paper money. The structures would be nowhere in Europe, specifically, but could be anywhere, theoretically. Now, as the currency celebrates its 10th anniversary with understandably little fanfare, and the monetary union appears closer than ever to disbanding, critics in Europe still question the wisdom of those initial design parameters and wonder whether they were symptomatic of a deeper fallacy. But they can no longer say that the designs don't correspond to reality.
机译:在90年代初,新成立的欧洲货币学院(欧洲中央银行的前身)的官员开会,讨论他们的新货币欧元的样子。他们一致认为,票据上不应出现任何国家的肖像,因为有7种面额(从5欧元到500欧元不等),并且至少有12个成员国。为了公平起见,官员们在通用纪念碑上定下来装饰纸币。具体而言,这种结构在欧洲没有任何地方,但从理论上讲可以在任何地方。如今,随着人民币庆祝十周年之际,人们几乎没有大张旗鼓地庆祝该货币,而货币联盟似乎比以往更容易解散,欧洲的批评者仍然质疑这些初始设计参数的智慧,并怀疑它们是否暗示着更深层的谬误。但是他们不能再说设计与现实不符。

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  • 来源
    《Bloomberg business week》 |2012年第4264期|p.76-77|共2页
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  • 入库时间 2022-08-17 23:28:48

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