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ROME IMPROVEMENTS

机译:罗马的改进

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It's been a long time coming, but Zaha Hadid's Maxxi in Rome has been worth the wait. This museum of contemporary art is a modern icon in a city famous for the more ancient variety. It has taken five years to create because the government has released the cash for it inrndribs and drabs. As you would expect from a Zaha Hadid design, Maxxi is arnfreeform, flowing structure. But the building doesn't stick twornfingers up to its traditional neighbours; instead, a modest threernstoreys high, it defers to its low-rise setting. It is very obviously concrete and strikingly different from thernrest of the city, but its strongly linear forms look relativelyrnmuted. Get close up and those lines become much more dramatic. A cantilevered, glass-fronted box over the entrance is perpendicular to the storey below and is the clue to the way this building has been laid out.
机译:已经很长时间了,但是扎哈·哈迪德(Zaha Hadid)在罗马的Maxxi值得等待。这家当代艺术博物馆是这座以更古老的品种而闻名的城市的现代标志。创建已经花费了五年时间,因为政府已为其库存和单项产品释放了现金。正如您对Zaha Hadid设计所期望的那样,Maxxi是arnfreeform流动的结构。但是这座建筑并没有像传统的邻居那样拥挤。而是适中的三层楼高,它适应于低层建筑。很明显,它是混凝土的,与城市的其他地方截然不同,但其强烈的线性形式看起来相对杂乱无章。近距离接触,这些线条变得更加生动。入口上方的玻璃悬臂框垂直于下方的楼层,是此建筑布局方式的线索。

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  • 来源
    《Building》 |2009年第46期|22-24|共3页
  • 作者

    Thomas Lane;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 00:36:44

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